Three hundred issues of The Rag are now available in a digital format.
Those of us who came of age in the ’60s remember library research as a visit to “the stacks” or hours spent with spools of microfilm and cantankerous microfilm readers. The Internet has changed all that.
Historical documents can now be accessed online through digital archives. The Rag is moving into the new era, thanks to collaboration between a company called Reveal Digital, two donor libraries and nearly 100 funding libraries.
The Rag is moving into the digital era thanks to an innovative collaboration.
Three hundred issues of The Rag are now available in a digital format, sourced from Michigan State University Library. Reveal Digital hopes to access the remaining 75 issues from The University of Texas at Austin (UT-Austin), with the goal of having the entire 11-year collection available by the time of The Rag’s 50th Reunion and Public Celebration scheduled for October 13-16, 2016.
Reveal Digital, a Michigan company, was formed in 2012 to create affordable open access content through a new publishing model. The company digitizes primary source materials from the collections of research libraries with funding support from those and other libraries. Reveal Digital’s Independent Voices project can make special collections from dozens of libraries available to activists and academics. In their words:
Independent Voices chronicles the transformative decades of the 60s, 70s and 80s through the lens of an independent alternative press. Consolidated for the first time, Independent Voices provides over 1,000 titles from the special collections of dozens of libraries. Independent Voices provides easy access to the powerful voices of feminists, dissident GIs, campus radicals, Native Americans, anti-war activists, Black Power advocates, Latinos, gays, lesbians and more… Access is provided under an open access license. Rights to the individual works that make up this collection remain with the original copyright holders.
I was able to meet with Peggy Glahn from Reveal Digital, when she was in Austin for a conference on Electronic Resources & Libraries at UT-Austin in April. Here is what she said (in an e-mail to me) about the response that the Independent Voices project is getting from librarians:
Over the past two years my colleagues and I have talked to hundreds of librarians about our Independent Voices collection and its place among the many resources libraries provide their communities. They consistently tell us the ability to provide access to a wide range of primary sources is more important than ever because professors are increasingly requiring all students to use and cite primary sources in their research papers. There is also a growing interest in researching topics placed within the mid-to-late 20th century, where a significant gap in resources exists.
Independent Voices is beginning to fill that gap, and to fill it in a way that will benefit ALL libraries, not just those who can afford to invest in it. When complete, Independent Voices will provide online access of complete runs of 1,000 alternative press periodicals published primarily between the 1960s and 1980s. Under our open access model libraries that provide funding to pay for the digitization and other support activities receive exclusive access until 2019. Thereafter the complete collection will be available to anyone from anywhere. A few of the titles are open to everyone today, including The Rag. Seventy-eight libraries have provided over one million dollars in funding to date. We still need to raise an additional $700,000 to complete the project as originally conceived.
Ken Waschberger, a publisher and Rag Blog contributor, has been a point of contact for Reveal Digital with many of the publications in the Independent Voices collection.
Those of us in Austin preparing for the Rag’s Reunion and Celebration this October, are looking with fresh eyes at The Rag‘s rich history — news covered only in The Rag, iconic art and comics, and priceless photographs. A presentation on the Independent Voices collections is planned for the Rag Reunion. We’re glad The Rag is on the cutting edge of digital access because our collective endeavor will be available to historians and activists for years to come.
While The Rag will be an important new digital resource, other types of material from the ’60s and ’70s have left almost no digital imprint. Leaflets, brochures, newsletters, and announcements from actions and organizations are great source material — what librarians and researchers refer to as ephemera. In the last year, I have donated some of my ephemera to the Sara Clark Collection at the Briscoe Center for American History at the University of Texas in Austin, complete with chronologies and lists that librarians appreciate. In a library setting, my files can have prolonged life in acid-free boxes, and they will be searchable through catalogues and on-site requests.
Our Austintatious collective past should have a digital presence.
These donations may enhance the historical record – and remove several boxes from my home — but I have wanted to do more to ensure that our Austintatious collective past has a digital presence. With this in mind, I started a blog that tells some untold stories taken from documents I have held on to for four decades or more.
If you shook a tambourine in a performance of the Women’s Cranky in Austin or heard the Soeur Queens, this blog is for you. If you ate a lunch at Sattva in the Methodist Student Center or a dinner at the Delta Diner, this is for you. If you held a leaflet with the iconic Industrial Workers of the World (IWW) union bug of Red River Women’s Press, this is for you. These blog entries aren’t the full story by any means. They are intended to leave digital markers — breadcrumbs for researchers, millennial metadata — to decades that are largely absent on the Internet. It was a time of great energy and collective optimism. That’s why I call it Collective Impressions.
I began this blog after I saw The Tower, the award-winning documentary by Keith Maitand about the Charles Whitman shootings. There is no way to have lived through that day in Austin and not be deeply affected by it. Claire Wilson’s story is central to the movie, but so are two other stories of courage – that of John Fox (now known as Artly Snuff, who helped carry Claire from where she lay bleeding on the main mall, and the “red-haired woman” Rita who comforted Claire during the ordeal.
I sat beside Claire Wilson, a Whitman survivor, at the Paramount showing of The Tower at the South by Southwest (SXSW) film festival. I jumped as the noise of the first shot rang out. I shed quiet tears for Claire, but it was Rita Starpattern’s face in the credits that affected me the most. I worked with Rita at Red River Women’s Press. She never talked about that terrible day, August 1, 1966. I heard what she had done from Jeff Jones at the 2005 Rag Reunion nearly ten years after Rita’s death. Claire told me that the young actress who played Rita would like to know more about her. That’s why I started Collective Impressions and began it with an entry about Rita.
Read more articles by Alice Embree on The Rag Blog.
[Rag Blog associate editor Alice Embree is co-chair of the Friends of New Journalism and a veteran of SDS, the original Rag, and the Women’s Liberation Movement. Alice is a long-time Austin activist, organizer, and member of the Texas State Employees Union.]