Houston Alternative Media : Telling It Like It Was

Underground in H-Town. Art by Shelby Hohl / Museum of Printing History.

Underground [history] in H-Town:
Veteran journalists compare notes
On counterculture and alt media

By Raj Mankad / May 24, 2010

[Raj Mankad is the editor of Cite magazine, the “architecture and design review of Houston” that has been published quarterly by the Rice Design Alliance since 1982. OffCite, where this article first appeared, is Cite’s online incarnation.]

“The Knights of the Ku Klux Klan is watching you.”

An arrow bearing that note was shot into the Space City! office. The incident was one among many threats and acts of violence against progressive and radical institutions in Houston. The KPFT station transmitter was bombed off the air twice. Bullets were shot at and yellow paint thrown on the walls of Margaret Webb Dreyer’s gallery, which she ran out of her home from 1961 to 1975. The gallery had served as a counterculture hub according to Thorne Dreyer, her son and an editor of Space City!.

Thorne Dreyer shared these stories at an event on alternative media also featuring veteran writers Tom Curtis, Gabrielle Cosgriff, and Michael Berryhill. The Museum of Printing History hosted the panel discussion in conjunction with “Underground in H-Town,” an exhibition that highlights the importance of minority and alternative publications in local history.

Space City! was published from 1969 to 1972, a part of an international explosion of underground papers set off by the introduction of low-cost offset printing.

Houston in the 60s and 70s is never represented as a hotbed of dissent on par with San Francisco or New York. “The main thing about Houston was that it was all spread out,” Dreyer said in a similar talk at the Houston Zine Fest. “There was no Houston there, [only] community in bits and pieces everywhere. Houston is much more of a city now than it was then. What Space City! did was to help to identify all these pockets of progressive politics and kindred spirits, and pull them together into a cohesive spirit…a network of countercultural stuff.”

Gabrielle Cosgriff picked up the discussion where Dreyer left off. She partnered with Janice Blue to publish Breakthrough from 1976 to 1981. They named it after La Brecha, a book written by Mercedes Valdivieso, a Chilean feminist who taught literature at the University of Houston and Rice University. Cosgriff talked about Breakthrough’s support of Kathy Whitmire in her election to Houston city controller and mayor. The recent election of a lesbian mayor and a city council with an equal gender balance, she argued, can be traced back to efforts three decades earlier.

In its last year of publication, Breakthrough became a general-interest publication –“women’s issues are everybody’s issues” said Cosgriff — and named David Crossley as a co-editor. Crossley has gone on to lead Houston Tomorrow. Cosgriff serves on the editorial board of the Houston Chronicle.

The audience in the small auditorium included activist Gloria Rubac, writer David Theis, and many other notable people. Alternative media scholar and Rice Media Center staffer Tish Stringer recorded the discussion on video. There were some young people absorbing the history including Culturemap writer Steven Thomson and Emily Hall of PH Design.

Organized in partnership with the Houston Metropolitan Research Center, “Underground in H-Town” presents original documents and images from community papers and the alternative press from the second half of the twentieth century, with a special focus on the 1960s, 1970s, and 1980s. Papers presented in the exhibition include historic issues of Forward Times, Voice of Hope, Space City!, The Jewish Herald Voice, El Papel Chicano, El Sol De Houston, Houston Breakthrough, among others. It is worth a visit.

For more information, visit The Rag Blog post on the exhibit by Shane Patrick Boyle. The Rag Blog is edited by Thorne Dreyer.

From left: Michael Berryhill, Gabrielle Cosgriff, Tom Curtis, Thorne Dreyer. Photo by F. Carter Smith / The Rag Blog.

Special issue of Cite
Will focus on counterculture

In 1970, Charles Tapley’s architecture firm won a national award for convincing their client, Camille Waters, not to build anything on her site in the Texas Hill Country. The architects’ renderings portray a life camping out of a volkswagon. The upcoming issue of Cite: The Architecture and Design Review of Houston recovers this and other 1960s and 70s sites of counterculture.

This issue of Cite, like many in its 28-year archive at citemag.org , mixes high design with down and dirty civic engagement.

Scheduled for a June release, the special issue covers experimental geodesic domes, the Moody Park riot, underground papers, the Love Street Light Circus, the 1977 march on an Anita Bryant performance that gave birth to Houston’s vibrant GLBT organizations, and other topics. The photography draws from the Space City! archives. Gary Panter, East Texas-born illustrator and set designer of the Pee Wee’s Playhouse, is contributing the cover art.

— Raj Mankad / The Rag Blog

The Rag Blog

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4 Responses to Houston Alternative Media : Telling It Like It Was

  1. Anonymous says:

    “The Knights of the Ku Klux Klan is watching you.”
    Should it not be “The Knights of the Ku Klux Klan are watching you”?

  2. Richard says:

    Anon,
    Raj is simply quoting what the note said.

    How do I know? I was there in the Space City office when the arrow came through the door and stuck into the opposite wall. Our man with the shotgun on the second floor was inattentive and unable to get off a shot in reply.

    The occasion was a visit to Houston by Lenny Weinglass and Abbey Hoffman.

    A secondary group (or the same group with a different name) called themselves the “Minutemen.”

    The next day in a park in Houston Abbey began his speech with a little “ditty.”….

    “Let the Minuteman special; shine it’s light on me….Let the minuteman special shime it’s motherfucking light on me.”

    Every identifiable Klansman or Minuteman in the crowd was surrounded by serious armed streetfighters and as Abbey finished his bit I drove the VW bus to the stage and effected his escape.

    So much for the past, que pasa ahora?

  3. markmarq says:

    This might not be the best place to discuss this; but, I am very anxious to get playslists from late ’69 and early ’70 FM underground radio. I was at Ft. Hood, then went on “vacation” for a few months to Houston – Montrose area. I have very fond memories of 24-hour FM radio (can’t recall staion name), the Sunday “be-ins” at big park down near Rice, the big bust one Sunday. I recall the great music; Pink Floyd, Spirit, Elton John, King Crimson… But, there was one group I haven’t heard since. I think they were “Black Crows”, but I might be dreaming. How can I get the Dallas and Houston playlists from the stations for those years?

  4. I think the group you are thinking about is the Red Coyotes — sort of a Digger/Yippie group that was associated with Space City! As for radio stations, check this out from The Rag Blog about KFMK-FM, Houston’s ‘Mother Radio.’:
    http://theragblog.blogspot.com/2010/09/ivan-koop-kuper-kfmk-fm-was-houstons.html

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