
By Robert Cottrell | The Rag Blog | May 8, 2024
[Robert Cottrell will be Thorne Dreyer’s guest on Rag Radio, Friday, May 10, 2-3 p.m. on KOOP-FM 91.7-FM in Austin, and streamed on KOOP.org, where they will discuss the Voice and this review.]
Tricia Romano’s intriguing oral history, The Freaks Came Out to Write: The Definitive History of the Voice, the Radical Paper that Changed American Culture (2024), relates the rise and fall of one of America’s earliest and most influential alternative publications. Presented in generally chronological fashion, this lengthy tome relates general shifts that the Voice, its initial intended audience — lower Manhattan — and the nation experienced during a six-decade span beginning with the mid-1950s. Both well-known figures and others, undoubtedly not easily recognizable to readers of The Rag Blog, including the author of this piece, and the goings-on at the Voice enliven the 530 pages of Romano’s endearing but often critical tribute.
The first issue of the Village Voice, 12-pages long and selling for five cents an issue, was published by psychologist Ed Fancher, freelance writer Dan Wolf, and author Norman Mailer, all combat veterans, on October 26, 1955. Acclaimed for his WWII novel, The Naked and the Dead, Mailer desired that the Voice, which Fancher considered “a religious thing,” prove “outrageous” and afford “a little speed to that moral and sexual revolution which is yet to come upon us.” His introductory column informed the Voice’s audience, “I will become an (sic) habitual assassin-and-lover columnist who will have something superficial or vicious or inaccurate to say about many of the things under the sun, and who knows but what some of the night.” Regulars soon included Mailer, jazz critic Nat Hentoff, and cartoonist Jules Feiffer, while James Baldwin, E.E. Cummings, Allen Ginsberg, Henry Miller, Katherine Anne Porter, Ezra Pound, and Martin Luther King Jr., contributed to the paper.