Two takes on class-based cluelessness.
I have been able to see Parasite again on the small screen in Corona-induced isolation. The film won the Palme d’Or at Cannes and won the most Oscars in 2020, winning Best Picture, Direction, International Feature Film, and Original Screenplay.
Parasite may seem to be a strange companion to the upstart 30-minute Canadian series, Schitt’s Creek. But, I can watch both of them in my living room, Parasite via Hulu and the final season of Schitt’s Creek via Netflix. I am struck by the similarity with which they explore the entitlement of the rich.
Parasite is a must-see primer on class warfare. The warfare doesn’t take place in the streets of Paris, but in the small-scale battle between two families. Set in South Korea and directed by Bong Joon-Ho, the film vividly portrays pre-Corona images of extreme global inequality, a chasm that is Korean, Chilean, and as American as apple pie. Neoliberalism has infected societies everywhere.
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